In terms of basic saturation, you’ll find four tube settings that allow for classic analogue-style colouration. The most important element here, though, is how Saturn 2 performs sonically – and you can’t help but be struck by the style and complexity of Saturn’s sound. This seems to be a facet of FabFilter’s output, and is mirrored across their plug-in suite.
#Fabfilter saturn nine inch nails manual
It took us a while to find the Mix (wet/dry) level, for example (though a quick glance at the plug-in’s manual would have seen us discover this far sooner). Some parameters don’t present their legends until your mouse is right in the proximity of them. The GUI has clearly been thought through but it has a few shortcomings. You might, for example, employ two bands, the upper band using tube-style saturation and the lower band driven to a bitcrushed frenzy. The elegant interface allows for different saturation settings to be applied at the band level too. There’s no visual ambiguity here it remains transparent and easy to use. Clicking on a frequency band, for example, sees a settings display box opened up, which allows you to make changes to elements related to the chosen band. In fact, practically every single click within the FabFilter GUI presents all the necessary information you need it’s a very clear-cut system.
Saturn 2 allows for the set up and control of up to six bands, added via a click on the upper part of the frequency display. It’s easy to keep track of what’s going on, and to alter parameters in real time. The main visual element of the plug-in is a traditional frequency analyser, with low frequencies on the left and higher frequencies on the right. This helps streamline the navigation within the already intuitive and uncluttered interface. These categories are relatively simple in sonic makeup, and conform to traditional distortion concepts. Its layers are complex and inspiring, so it’s particularly helpful that it comes loaded with a set of curated presets that include Drive, Colour and Lo-Fi. FabFilter has carried out a host of sonic improvements to its distortion colouration, from smooth and subtle tube-style saturation to incredibly colourful amp-style simulations that lend themselves perfectly to guitars, and there are plenty of on-board effects for harsher contemporary productions too.Īs saturation plug-ins go, Saturn 2 is far more capable than its run-of-the-mill effects competitors. Saturn 2 boasts a number of updates to the highly regarded original, described as a distortion and saturation plug-in.
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The new update to its plug-in gas giant is capable of increased subtle colour, as well as crushing movement.
They’re ideal for mix engineers, while the company’s contemporary-sounding palette has proved a hit with composers and producers who like to apply effects and colouration as they go. Amsterdam-based FabFilter’s increasing catalogue of head-turning products includes EQs and compressors that boast transparency and colour in equal measure.
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